One of my work-from-home projects was getting to know the staff of the National Institute of Standards and Technology (NIST, then called the National Bureau of Standards, or NBS) in 1918. Quite an interesting bunch. Among them was a chemist turned pandemic poet; one of the earliest known Asian American women to work at NIST; a Black man thwarted in a legal career who nevertheless participated in a civil rights case decided by a presidential committee; a pair of brothers from Puerto Rico whose accomplishments would stretch from World War I to the Cold War; and a laboratory assistant who became an impresario of gay-friendly nightlife in Washington, D.C.
The NIST archives has a collection of staff photographs from 1918. This was the first time all staff were photographed for identification purposes, due to security needs during World War I. These photos are historically important because they include not only well-known scientists but also rank-and-file staff members. And the photographs were taken during a time when the NIST workforce was diversifying to meet the demands of the war.
The staff members in these photos were identified by initials and last names only. My work-from-home project was to fill in their complete names to facilitate further historical research. This was not as straightforward as it sounds. No known listing of their full names existed. Identifying these individuals took a great deal of research using census records, old city directories and newspaper stories, and other historical documents. I was using the tools and techniques of a genealogist to learn more about our staff predecessors.
This research turned up their full names as well as information about their lives. And like any good genealogy, many of the details were quite unexpected. Let me introduce you to some of these fascinating NIST employees from 1918.
1918 might seem like ancient history to some, but in one way that year is quite relatable to today. Before COVID-19, the last major pandemic to affect the United States was the 1918 influenza pandemic, which killed millions of people worldwide, and more than 500,000 in the United States. Masks, sanitization and social distancing became the norm for the 1918 NIST staff, just like it is now for us. These everyday efforts to fight a deadly disease inspired NIST chemist Campbell E. Waters to pen a poem he titled “Rules for Influenza.” This poem would likely have been lost if it weren't for office clerk Lois Crump, who included it in a letter to her fiancé serving as a soldier overseas. Their correspondence was later published as a book: The Great War at Home and Abroad: The World War I Diaries and Letters of W. Stull Holt.
Here is a lightly edited version of the poem for this exhibit:
Rules for Influenza
Oh, shun the common drinking cup,
void the kiss and hug,
For in them all there lurks that [scourge],
The influenza bug.
Cough not, nor sneeze when in a crowd;
‘Tis neither kind nor neat,
Because it scatters germs around.
So try to be discreet.
Lick not the thumb in turning o’er,
The papers in your file,
And wear your health mask, though you look
Like time. Forget it. Smile.
Remember doorknobs harbor germs,
So wash before you eat.
Avoid the flying clouds of dust
While walking on the street.
Most anything you do — or don’t —
Is apt to cause disease,
So don’t do anything you do
Without precautions, please.
One of the earliest known Asian American women to work at NIST, Elizabeth Yung-Kwai was the daughter of a Chinese American diplomatic family. The Wellesley College student worked in the Electricity Laboratory investigating self-luminous materials used by the military in aircraft instruments, compasses, watches and gunsights. She co-authored a paper, “Studies of Radium Luminous Materials,” that was presented at the April 1919 meeting of the American Physical Society. After raising a family during the 1920s and 1930s, she would return to government service during World War II as a member of the Women's Army Corps.
Frank Davenport Calmore was a clerk in the NIST instrument shops while attending the Howard University School of Law. Although he completed his law degree, he would spend the next several decades working as a train steward in Texas. Seemingly prevented from starting a legal career, he nevertheless used his legal training on several occasions to advocate for fair employment for Black Americans in the railroad industry.
Most notably he was a plaintiff in a 1943 discrimination case brought before President Franklin Roosevelt’s Committee on Fair Employment Practice. During World War II, President Roosevelt issued an executive order banning discriminatory employment practices by federal agencies, unions and companies involved in war-related work. The Committee on Fair Employment Practice was set up to enforce the provisions of the order. Calmore successfully testified before this committee against a railroad company that had replaced its Black dining car stewards with less experienced white employees. The committee ordered the railroad to stop its discriminatory practices.
In the 1950s Calmore became chairman of the San Antonio, Texas, chapter of the NAACP's legal-redress committee, which fought to integrate city schools, swimming pools and parks.
Brothers Fidel and Manrique Cordero moved as teenagers from their hometown of Maricao, Puerto Rico, to Buffalo, New York, where Fidel became a watchmaker and Manrique worked for the Pierce-Arrow Motor Car Co. After Fidel joined the Army in 1917 and was assigned to NIST to conduct aeronautical research, Manrique soon followed him to Washington and was employed at NIST as an instrument maker.
When the war ended, Manrique transferred to the United States Coast and Geodetic Survey, but Fidel remained at NIST for the next 40 years, designing measurement instruments for aircraft, including altimeters, anemometers, cabin pressure indicators, a sky compass, a stick-force indicator, oxygen flow regulators, and vibration and yaw meters. He also designed an aneroid for radiosondes, a micromanometer for use on mass spectrometers, and a water- and shock-proof compass for the Navy. At the end of his career, he was part of a team honored with the 1959 Department of Commerce Exceptional Service Award for its contributions to the development of infrasonic microphones to detect atomic bomb tests during the Cold War.
Cleon F. Throckmorton worked as a laboratory assistant for electrical research while studying at George Washington University. In 1919 he opened the Krazy Kat Klub in Washington, D.C., a speakeasy that openly welcomed a gay clientele. The club took its name from a popular comic-strip character of the period, who was notably androgynous. Throckmorton’s club became a nightlife hot spot for the city, and a popular gathering place for D.C.’s gay community, before closing in the late 1920s.
Throckmorton relocated to New York and became a prominent set designer for the theater, including for playwright Eugene O'Neill, who won the Nobel Prize in literature in 1936. Throckmorton’s work was in such demand in the 1920s and 1930s that, according to theater historian Richard Somerset-Ward, his name appeared on more Broadway playbills than anyone except the New York City fire commissioner (who was listed as an official endorsement of theaters’ fire safety). By the 1950s Throckmorton was creating sets for early television productions. He was inducted posthumously into the Theater Hall of Fame in 2002.
Are you a genealogy buff who likes a challenge? We have not been able to identify the full names of every individual in the 1918 staff photos and could use your help. Finding their unabbreviated first names enables further historical research about them, and makes their photos more easily findable by other historians and genealogists. You can review the entire 1918 staff collection on the NIST Digital Archives to see which names we still need. There we have also included two NIST staff directories from 1918 that list employees' home addresses for that year (but unfortunately not their full names). The addresses are another piece of information helpful in verifying their identities. Send your findings and evidence to museum [at] nist.gov.
Example of how to reference this exhibit:
NIST Museum. 2021. The Pandemic Poet and Other Tales From a NIST ‘Genealogy’ Project. Gaithersburg, MD: National Institute of Standards and Technology. Online. https://www.nist.gov/nist-museum/pandemic-poet-and-other-tales-nist-gen….
Author. Year. Exhibit Name. Place published: Publisher. Online. URL.